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(continued from Page 5)
this freeing of ultimate forms may be hastened by pertinent sculpture, I now grasp that this isn't Clinton Street, nor is it truly me walking across it, I'm merely a mnemonic written reconstruction I'm making to you as I sit here, bent above this book, I want you to know that the tape on the victims isn't there to prevent them from making a noise, it's to stop the dho-hna flowing in through the wrong aperture, which of course could spoil everything for them, I know they usually worry about their hands, but I always console them about the fact that the hands are perfectly safe where I keep them, in that situation the important thing for them is to focus themselves on the wza-yei. The concept of not-hands, this is the part which is interesting to observe closely, the unfolding from glaaki to lloigor, this begins properly when we make the first cut, the y'nghai,


Alphabet: Tengwar


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